I’ve been doing this for over five years or longer. Every single week, three times per week, for more than five years. Holy shit it’s a long time. It makes me think, why has there been this longevity? What has kept me doing this all of this time? It’s got to do with me just writing about things I find cool and interesting. Either I find them on my explorations of the internet or I mine the vast amount of travels I have done and then write about these places.
I have relatively few followers, compared to other people and that’s because all of the stuff that I write about is so random. If I was writing for the sake of impressing other people or for generating traffic to the site, or for the sake of other people’s enjoyment and not on topics that really interested me, I could stick it out for maybe a few weeks and then the blog would fade out gradually. The passion for the topic has to be there!
This blog is so hard to categorise and has blown out into a full-blown microcosm of quirkiness over the years. It’s therefore hard for others to follow it and even understand or conceptualise it. I know that but I can’t for the life of me cut down this blog or restrict it to one topic, it wouldn’t be being true to myself. This place is a reflection of my own massive imagination and seeking of curious and unusual things in life.
What motivates you to write your blog?
A friend on here is keeping to a streak of a long length of time in which to write a blog. That’s what motivates him. For other’s they are simply hammering out blog posts in order to promote a book or a product of some kind, or to talk about their research.
What keeps you doing this blogging thing and what do you get out of it?
Electronic music pioneer Suzanne Ciani never achieved the critical mass appeal of Brian Eno or Aphex Twin. Although once you listen to her album I’m sure you agree, she deserves to be up there with the greats of ambient music.
You never really hear much about female ambient music artists, it’s always men really – which is dumb. In this case, Suzanne Ciani can boast genuine claim to words like pioneering, groundbreaking, galactic, maverick and experimental.
Suzanne Ciani in the 70’s
Listening to this an aural and esoteric journey from the 70’s, it’s a one-woman race to the proverbial moon. If there was a great soundtrack to the space race and the Cold War, then this album would be it. It sounds genuinely like nothing else on the planet. It’s like the gods of the pleiades are jostling and playing together in the heavens and only the aliens can understand it.
Suzanne and the Buchla synthesizer
Suzanne Ciani in the 70’s
In the 70’s (then) 20 year old Suzanne was employed in San Francisco’s Buchla headquarters. The Buchla was a modular synthesizer that was historical competitor to the more popular and well-known Moog from New York. Buchla was run by a bunch of rag-tag acid-eating hippy types. And the lack of a piano keyboard controller on the Buchla made it a very experimental piece of equipment.
This meant the Buchla, both the synthesizer and the company, was destined for the far fringes of the art scene and never really made it mainstream like the Moog, which had a lot of money and marketing spend behind it.
Suzanne Ciani was one of those original champions of the Buchla who stayed true to its experimental and enigmatic roots. Ciani combined her academic education in music with real skills in composition and made a pioneering album that was (and still is) completely and utterly mind-blowing.
At the turning point of history when the machines take over and they have animated discussions together in the absense of human ears, their conversation will sound like this.
As a teenager I was incredibly precocious at times, spouting big words to make myself feel older and more worldly in high school. Later on, as my vocabulary developed at University, I dropped these intellectual bombs into conversations to make myself feel better in the company of people more middle class and posh than I was.
As is their wont
“The girls wearing the massive Helly Hanson jackets on the oval pass around joints, behind the brick wall at lunch time….as is their wont.”
Posit
This word got a massive workout in essays during school. “I posit that Craig David draws on his micro-beard each day…when he’s saying ‘can you fill me in’, he’s meaning his own beard”.
Corporeal
I threw corporeal into an art history essay by copying a slab of purple text out of an art book and got busted by the teacher, as I didn’t know what corporeal meant.
Unequivocal
Replace ‘definitely’ and ‘for sure’ with unequivocal in every sentence for an impressive effect.
Detritus
Rubbish and garbage became detritus for me when I was about 16.
Not me, some teenagers though from the 70’s standing with a hot car.
Juxtaposition
Two trains on the platform, two Mars Bars – juxtaposed together.
Epitome
“Our school bag looks like the epitome of a sagging scrotum sack.”
Paradigm
Came across this gem at the first year of University and suddenly the economy, women, men, all of the shit in the entire world was ‘stuck in a paradigm’.
In a nutshell
This phrase, appended to a sentence was the TL:DL of the 90’s.
Sibilant
“The creepy winds blew sibilant and strong in the darkness and then she appeared, ghostly and waif-like”. A rather cringy horror story I put together while musically ODing on Portishead.
Qualms
I had no qualms about drinking from a goon bag at a party in a scout hall, none that I can remember anyway.
Eponymous
Joy Division’s eponymous album was arguably their best.
Chagrin
With much chagrin she left her class.
Seminal
According to my 17 year old self- this meant filled with semen.
Moot point
Learning maths was seen as a moot point.
Bildungsroman
It’s a story about turning from a teenager into an adult…duh!
Diaspora
Go back far enough and everyone comes from a diaspora.
Vintage milk bar in Melbourne
Ineffable
Sex, men, the enormity of the universe.
Quagmire
Stuck in a quagmire of iniquity at the end of the Frankston line.
Myriad/plethora
Chunks of different objects grouped together.
Hegemony
The unfairness and heaviness of power structures, 19 year old me railed against it.
Osmosis
A surfwear clothing brand and also a way to express the inextricably interwoven nature of the world.
Phallic
Anything long and rectangular was a phallic symbol and was considered bad or ‘anti-woman’ when I was at Uni.
Not me
Dichotomy
Eating dim sims for lunch while also craving sushi.
Do you have any words you used when you were young to make yourself sound older and more intelligent? Write them below!
Nara has had sacred significance long into the
ancient mists of time in Japan. Long before Tokyo and Kyoto became the capital
of Japan, Nara reigned as the most important city in Japan, its capital from
710-784 AD, before this mantle was passed on to Kyoto.
By decree of the emperor of Japan in 724AD, Nara
was to be transformed into a magnificent and mythical city with gold gilded
roofs, pillars and walls. All of the city’s wealthy Shogun classes were tasked
with this.
The collection of eight majestic shrines and an
ancient primeval forest in the city are collectively a UNESCO World Heritage
site. These shrines are Tōdai-ji,
Saidai-ji, Kasuga Shrine, Kōfuku-ji, Gangō-ji, Tōshōdai-ji, Yakushi-ji, and the
Heijō Palace, together with the Kasugayama Primeval Forest.
Nara seems like
a smaller and more quaint version of Kyoto. And infact it was never declared to
be an actual city until 1898.
My video from Nara
Nara’s plentiful
little shops and ryokans are actually renovated and adapted traditional
merchant houses. And so the traditional village life of Nara remains, albeit in
a newer form.
Nara’s Deer: Messengers of the gods or furry sociopaths?
Japanese culture coexists very comfortably alongside the the spiritual world and in the mists between come lolloping and frolicking, Nara’s deer. Around a millennia ago, the magnificent Shinto deity Takemikazuchi-no-mikoto rode into Nara on the back of a beautiful white deer.
After this, legend tells that he enchanted the area with the spirit of the Sika deer. Once he died, Takekazuchi-no-mikoto was enshrined with three other Gods in Kasuga Taisha temple. As the prevailing deity of the shrine, Takemikazuchi-no-mikoto began sending spiritual messengers in the form of Sika deer to watch over the temples and grounds ever since then.
Cute icon or furry sociopath?
Each morning as the dew sets on the leaves of the trees, hundreds of deer tip-toe tentatively out of the mountain forest to repose and also gather food in Nara Park. After hundreds of years of subsisting from humans giving them food, they aren’t truly wild deer anymore. Humans brandishing specially designed biscuits are their targets.
The real reason that any tourist goes to Nara is to visit these deer. Many of the younger and more sprightly deer are fluffy and vulnerable looking on their spindly little legs and wide gentle eyes. They are the very definition of cute.
Then, as they become older , the deer take on a harder and more cynical look. Almost how you would imagine a 30-a-day-Winfield Red-smoking call centre consultant would look after 40 hours straight on the phone with a colostomy bag stuck to their leg, and only some red bulls to stay awake.
Get up close to the older ones and they have puss-filled eye infections and messed up horn nubs where their horns have been removed by the rangers to prevent them from doing what nature intended horns for. Their gawping cries (for attention, biscuits, not sure?) sound as though they are drunk and slightly unhinged. They are only a faint shadow of their younger selves. There is something tragicomic about them, poor hapless little buggers.
The deer are poised and ready to bite your hand and take your deer biscuits away from you by pure force. They have a mad glint in their eyes and their saliva drips out of their mouth hungrily at you – evil biscuit holder.
Sorry, I hope I haven’t destroyed anyone’s cutesy anime dream about the deer in Nara. Yes, the deer are gentle, noble messengers of the spirit world. Until you reveal a biscuit and their eyes light up and they turn into deranged rabid ring-wraiths.
Hong Kong artist Cheryl Young’s illustrated world of cosy, anime streetscapes feature an endless cascade of hamsters – because there can never be too many. Her art is so chilled out it deserves its own special genre of music. Content Catnip recently caught up with Cheryl for a chat about her charming and endearing art, anime and illustrations and the inspiration behind them.
Background artist & illustrator here at your service ✨#PortfolioDay
I never consciously decided to be an artist, I just started drawing in preschool and never looked back…
I had the fortune of attending an art studio for 13 years
since I was in preschool, but pursing it professionally came about during
college, as well as finding the things I loved drawing after graduating. Now I’m here and still drawing so I think
that’s a good thing.
I would go stir crazy drawing in silence without music…
My favourite songs are often from Japanese singers Aimer,
the band ONE OK ROCK, and sakanaction.
Drawing is a zen mode of problem-solving…
I just start drawing and keep going until I finish, haha. Once I start, I don’t stop until I hit a checkpoint or finish (with breaks in between). Whenever I get the chance, I use gel pens. However I also use Clip studio for digital a lot
I draw influence from voxel art, games, manga, comics, animation, and every other creative avenue in existence. There’s always an element of storytelling in these mediums that makes me excited to create.
I’ve always gone for drawing hamsters in the backgrounds…
But I don’t have any favourite creation in particular. I enjoy the feeling of figuring out and problem-solving in environments. I want them to look structurally cohesive, this is more important to me than the product that comes out. Once I finish one thing I go onto the next and see how I can change it up this time.
My current influences are Sachin Teng, Anthony Holden, Jake Wyattriot, waneella, and forever my favourite professor, Mia Goodwin.
Right now I’m preparing an illustration series for inktober! Other than that, I’m attending STGCC in Singapore at the end of the year, and CWHK48 in Hong Kong next month. My freelance rates are from $500 – $1000 depending on project requirements. In the meantime you can reach me here @Cysketch and on my website.
Content Catnip recently interviewed established Portuguese artist Eleonor Piteira. She once wanted to be an astronaut as a child, but instead has allowed her imagination to wander all over the galaxy through her striking an beautiful art, impressing people like director Guillermo del Toro along the way.
Hello! My name is Eleonor, I'm from Portugal, and I'm an illustrator and concept artist. I'm available for work, whether freelance or full-time, from book covers to concept art!
Artists should remember to take care of themselves, physically and mentally…
Because if you’re not well, then chances are that your work won’t be as good as it can be. You are the most important part of the ‘mechanism’, the secret ingredient, if you will.
Guillermo del Toro once shared my fan art for his movie The Shape of Water…
I even studied one of his creatures on my Master’s Degree thesis. That he liked my illustration enough to share it and compliment it was – and still is – absolutely mind-blowing! I loved doing that illustration and really enjoyed the end result.
The Prophecy by Eleonor Piteira, for a The Shape of Water charity fanzine called ‘You’ll Never Know’
My drawing skills were nothing special, but I had determination and a hunger for knowledge…
This has helped me learn a lot of things that I wasn’t taught by myself. And I’m still learning! I have a Master’s Degree in Artistic Anatomy, but I’ve never studied Illustration specifically, so I consider myself mostly self-taught.
It’s about some very different people, the four worlds they live in, and the ancient mysteries that tie them together. Trevus is still developing as I go, and I sadly don’t always have much time for it as I would like, but I’m enjoying the process which is important.
Sailor Moon anime from the 90’s definitely left a big mark on me…
I can still see some of its influence in certain things in my work, as well as Stargate, the 1994 movie which is connected to my love of Ancient Egypt and science fiction and space.
However private commissions are on hiatus. You can still purchase my art prints from on either Society6 or inprnt. You can get in touch with me here @_eleonorp
Content Catnip recently interviewed highly talented 16 year old artist No Man’s Dream about his cool Twitter channel @No_MansDream and what inspires him to keep making extraordinary pixel art that’s vintage futuristic and video-game ready.
Growing up, I always daydreamed a lot…
Almost to the point my parents were once complained to by my teacher…hahaha. I think I realised somewhere along the line, just how amazing it would be to share with everyone why I’m always lost in my thoughts so much. I think that’s where the idea of art first came to me, just a vague idea really.” No Man’s Dream
From plain art to knitting to singing my mother is absolutely incredible at everything that can be considered as art. I’ve grown up listening to all her stories about how much she loved doing those. I think her words left a very big impression on me. Besides, art is fun no matter what the medium.
I listen to a lot of Virtual Riot’s song but I think the songs that really inspire me to create art would be from PYLOT, F.O.O.L, Kozoro and C418.
I usually make pixel art but I’m massively inspired by musicians. Musical artists like Porter Robinson & C418 inspire me to no end. In terms of visual artists, I’d say Ozumikan, GuttyKreum, Waneella and 16pxl inspire me the most.
I don’t use anything apart from my half-dead laptop and a regular mouse…
I’ve tried with trackpad, it’s possible but takes a lot of time. There are times when I’m sure about what I want to draw and it’s very productive. I can stay up all night drawing then. But there are moments when I second guess myself and fall into a kind of artist’s block where no colors or idea makes any sense. But yeah, the so called “zone” is very fun to have once in a while.
If you enjoy doing something, you’re gonna be amazing at doing it eventually…
I kid you not, no matter how bad it you may be today. Also people may say comparing yourself with others is a bad habit but I personally have improved a lot just by telling myself I have to be better than that certain someone. Just to push myself even further.
Usually it’s through twitter direct messages. I only accept payment through PayPal. As for pricing, album cover art, banners and small gifs are $50 USD. If you would like the art scaled to A4 size then I would charge about $70 USD. Order something from me @No_MansDream
Pixel Art harks back to classic video games and arcade games such as Space Invaders (1978) and Pac-Man (1980), and 8-bit and 16-bit game consoles such as the Nintendo Entertainment System (1983) and Sega Master System (1985).
This kind of digital art is created using software and hand-edited at pixel level. Kids of the 80’s will know and be fond of pixel art because of its twee, vintage memories of times gone by. This 80’s kid right here loves it for this reason!
You know how when you go for a job interview, you need to dress yourself up like a trussed up overpowering pineapple. An exaggeratedly normal version of yourself. The power self you wish you were, but deep down you simply love to wear track suit pants if at all possible?
Well, when presenting yourself to a real estate agent in order to rent a flat you also must present this scrubbed, clinically precise and corporate version of yourself a well. The fakeness of the whole interaction is astonishing and no less cringey when you look back on it with hindsight.
The real estate agent often will examine you, as though examining a parisite on the ass of a horse. It’s through this lens that he or she will make their final act and judgement, a veritable Thors hammer of judgement with all of its associated life altering implications. He or she can declare you and your partner worthy of actually renting a property over another eager couple, or family. Of course – income matters. And obviously how you look matters as well. Nobody with meth teeth will get a modern townhouse in the city centre. Nobody wearing dirty thongs or old trainers either. Nobody with a combined income under 100K will get the townhouse. So get busy and give away you data about your income, your employer, and wring every last drop of your own authenticity to get that place. Give all of this over to these people, who don’t actually give a shit about who you are – you cease to be a human in their eyes and are instead a walking piggy bank to them and that is all.
After all, you need to suddenly prove yourself to a good, respectful and kind human being to some shallow person in ten inch heels or a cheap suit from Roger David who treats you like a sub-human cretin. The power is fleeting and elusory, but you better believe they enjoy it.
Then after seeing the property, you need to offload all of your personal data to this person, including your date of birth, passport information, income, personal interests. I guess adding information about my sexual history may help with my rental application as well, mightn’t it?
Apologies for the rambling, shitty grammar here I have been doing work all day and very tired. Dealing with people in real estate is really incredibly draining and fucked up day. Have you had to deal with real estate agents? Have you had any positive or negative experiences?
In the southern hemisphere, today in the Pagan calendar is Imbolc. It’s a Sabbat to honour the Celtic goddess Brighid. It’s a time to purify oneself, dedicate oneself to a task. The word imbolc comes from Irish Gaelic and means ‘ewe’s milk’. It’s in reference to the time when ewe’s begin suckling with their young in preparation for the coming planting and spring time.
There’s a lovely subreddit I recently found called Cosy Places, which calls for people to submit their log cabins, hideaways and cosy loungerooms. This is a veritable treasure trove of different ideas for cosiness. Someone even parsed the photo content in the subreddit and came up with the recipe and criteria that make up a cosy place. Which got me thinking, exactly where did this concept of cosiness come from and where in the world is cosiness a part of the social fabric of life. The answer is, cosiness is found in many cultures.
The most brazenly commodified version of cosiness is the Danish concept of Hygge which is pronounced Hoog-uh. This is a feeling of conviviality, cosiness and an inner sense of well-being. Hygge was very de rigeur a few years ago and was the subject of a lot of books.
Surely though, all of the glory can’t just belong to the Danes for naming and owning the idea of cosiness!
Many other cultures have similar concepts and ideas that are firmly entrenched within family life. It doesn’t take too long to find them. On this side of the antipodes, in Aotearoa there are several Maori concepts which echo Hygge and which are equally uplifting, and centred on a shared convivial enjoyment of seafood (kai moana )the home (whare), family (whanau), holistic health (hauora) and happiness.
Rather than having all of these ideas embodied into one word though, the Maori use proverbs to concisely and cleverly convey these social and cultural ideas.
Te Ao Maori and the aesthetics of cosiness
As you can see from the proverbs, the idea of cosiness is embedded into a holistic view of the world and the spiritual, physical, mental, emotional elements of oneself in balance and in relationship to the whanau and broader community.
Wairua/spiritual health
Maori proverbs about cosiness and happiness
Wairua is the cornerstone of health. It’s the inner essence and the spark of life inside of someone. This is a uniquely holistic point of view which runs contrary to western medicine’s idea of treating disease and symptoms.
Instead, wairua focuses on the spiritual health of someone which may be the underlying reason for an illness. Wairua is a concept that incorporates the relationships you have with your environment, your knowledge of your ancestors and also future generations.
It’s pan-generational and incorporates you as a part of a long line of whakapaka (ancestors). Acknowledging your wairua means you realise that you navigating through this world in the present time, but that there are many others (tipuna) who have come before and now who passed on into the afterlife. And there are also people who will spring forth from you, who haven’t been born yet.
Hinegaro/mental health
Maori proverbs about cosiness and happiness Maori proverbs about cosiness and happiness
Healthy thinking in the Maori way, is primarily about you being in relationship to other people, to the whanau, iwi and community. Therefore when a person only thinks of themselves without putting the needs of others first, this is considered unhealthy.
Collectivism is paramount. The idea of striving for one’s own selfish ends is considered unhealthy.
Communication on an emotional level and in person is preferred over phone or email interactions. Maori are emotionally expressive when they talk – this is considered healthy.
Tinana/physical health
Maori proverbs about cosiness and happiness
All aspects of the body are considered sacred (tapu) to Maori. There is a clear separation between the sacred and the common. The head is considered tapu and Tikanga Maori (protocols) dictate that people shouldn’t pat each other on the head. At wanangas and meetings in the marae, a sign of respect is to have minimal eye contact and to respect each other’s personal space.
The Whanau and Whare/The family and home
Maori proverbs about cosiness and happiness
The family and home are the central hub of all care and as such it’s reserved for cosy resting and peaceful contemplation. As well as vibrant and earth-shatteringly loud family gatherings.
Whanau is a much larger concept which incorporates extended family and sometimes even close friends. Caring for young and old is paramount and nobody is ever left alone to fend for themselves, particularly when they are going through something hard.
There is a cohesiveness and inclusiveness to Maori culture which lacks in the western nuclear family model of the way a family works – with two parents and their children.
The Maori form of identity stems strongly from one’s own family. A person carrying their ancestral name is often is seen as having personality traits and characteristics of their kin and ancestors. For Maori, the question when you meet someone is never ‘What do you do?’ but rather ‘where are you from?’ and ‘who is your whanau?‘.
The answer involves identifying your waka (canoe), maunga (mountain), awa (river), moana (sea) tupuna (ancestor) and iwi (tribe). This is called saying your pepeha. Once this is spoken, it builds strong bonds between people. All visitors including pakeha (white people) are encouraged to do this when they visit the marae (meeting house) by way of introduction.
Hygge: Danish cosiness
Fluffy cat, plenty of books – two components of hygge
A catalogue of ideas and commodified stories have arisen about the Danish concept of Hygge. It seems publishers and interior designers wanted to wring out every last drop of Hygge dollars from the consumer market.
In essence though, Hygge is a selection of Scandinavian cultural rituals and rites for relaxing and unwinding. This borrows strongly from symbols of cosiness of all cultures – open fires, sharing food and wine, wearing a pair of slubby pants, lighting candles and having a bath.
It’s about being mindful and thankful for what you have, and for taking the time to reflect on and enjoy the simple things in life. For that reason I find it completely unremarkable and not worthy of much further exploration.
Gemütlichkeit: German cosiness
This is another similar idea to hygge. Gemutlichkeit denotes a state of happiness, conviviality, warmth and cosiness and also a sense of acceptance and belonging with one’s kith and kin. The word derives from Gemut which is shortform for heart, mind, temper and feeling. Gemutlichkeit came to be associated with a German way of seeing the world in the 19th Century. It is synonymous with the warm hospitality that one might hope to find in an alpine lodge and involving apres ski food, wine and hospitality. Or alternately that a traveller might hope to experience in a German Bier Garten. Although over the years of political turmult in Germany the idea has been hijacked and coopted for various political ends.
Epicureanism: Ancient Greek cosiness
Epicurus – serious about having a good time. Party man of the Greek ages.
According to Ancient Greek philosopher Epicurus, man is made miserable because he desires things he shouldn’t desire. Epicurus, far from his reputation of being an advocate for extreme hedonism was moderate and sensible in his view that people should only desire things that are natural and necessary to desire. Epicurus was a great believer that we should all learn to bask in the idea of pure joy of being and to understand how pleasurable it is to just exist in the world. According to Epicurus, there are two types of pleasure – one is moving pleasure which is the process where you satisfy a desire – like eating a hamburger. The other is a static desire, which is characterised by a pure lack of desire (i.e. being full after eating). The latter is more satisfying, simple and mindful. Read more
So what makes a room cosy?
A Tokyo hideaway – the perfect pitstop for booklovers
According to a great reddit article, extrapolated from several hundred submissions to Reddit, the following traits could be found within all cosy rooms.
The presence of natural finishes and textures in the home, such as copper, wood, glass, stone, clay and brick.
The absence of stainless steel and industrial style aesthetics.
Mid-century style furnishings and retro 19th century revival aesthetics.
The presence of a lot of indoor plants.
A lit fireplace.
A comfy sofa with throw rugs, sheepskins and soft furnishings.
The presence of books and the absence of modern technology.
The absence of cords, cables and wires.
The presence of wine, tea, a grazing board or cheese platter.
A view onto a cold, wintery, raining or snowing vista.
A view onto a forest, ocean or another natural scene outside.
Natural lamplight or natural dappled sunlight rather than LED or fluorescent bulbs.
The presence of a fluffy pet.
The presence of soft toys.
The presence of a record player and vinyl.
The absence of large TVs or other electronic equipment.
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